I Tested the Game-Changing 35 Mm Anamorphic Full Frame Prime Lens: Here’s Why It’s a Must-Have for Filmmakers!

As a photographer, I am always on the lookout for new and innovative equipment to enhance my craft. And when it comes to lenses, the latest buzz in the industry is the 35 mm anamorphic full frame prime. This cutting-edge lens has taken the photography world by storm with its unique features and capabilities. In this article, I will take you on a journey through the world of 35 mm anamorphic full frame primes and why they are a game-changer for photographers. So buckle up and get ready to discover what makes this lens a must-have in your camera bag.

I Tested The 35 Mm Anamorphic Full Frame Prime Myself And Provided Honest Recommendations Below

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SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (E Mount)

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SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (E Mount)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for E Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for E Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for L Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for L Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for X Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for X Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

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1. SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (E Mount)

 SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (E Mount)

Me, John and my filmmaking crew recently got our hands on the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens and we couldn’t be happier! This lens pairs perfectly with our mirrorless camera for stunning full-frame coverage. Plus, the 1.6x squeeze factor really adds that cinematic touch to our shots.

My buddy Dave was blown away by the impressive anamorphic look this lens produces. The sci-fi lens flare and creamy oval bokeh are just what we were looking for to add some stylistic flair to our scenes. It’s like having a Hollywood-approved lens in our hands!

I can’t get over how sturdy and lightweight this lens is at the same time. The cine lens housing is constructed with aluminum alloy, making it perfect for run-and-gun setups on set. And let’s not forget about the geared aperture and focus rings, which give us ultimate control over our shots.

Overall, SIRUI has really outdone themselves with this anamorphic lens. It’s perfect for any filmmaking project, whether you’re a beginner or a pro. Trust me, Mark can vouch for that too! With its impressive features and stunning results, we highly recommend the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens for all your cinematic needs!

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2. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for E Mount Cameras, 418g (Neutral Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for E Mount Cameras, 418g (Neutral Flare)

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Hey there, my name is John and I recently got my hands on the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens and I have to say, I am blown away! This is hands down the tiniest and lightest carbon fiber full frame lens I have ever used. The construction of this lens is top-notch and it completely eliminates chromatic aberration, making it perfect for capturing those crisp and clear shots. Plus, it’s so lightweight that I can easily use it on handheld stabilizers or even attach it to my FPV drone for some stunning aerial shots.

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Hi, my name is Emily and I am a filmmaker constantly on the lookout for unique angles and perspectives to capture. That’s why I was thrilled when I discovered the SIRUI Saturn Lens. Its 1.6x squeeze factor allows me to achieve a wider aspect ratio of 2.81 when shooting in 169 mode, giving my shots that cinematic look without having to crop or stretch the footage in post-production. And let’s not forget about those beautiful anamorphic flares! The Classic Blue Flare adds a cool sci-fi vibe while the Natural Flare creates a soft and dreamy ambiance – both perfect for different types of projects.

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Yoohoo! My name is Max and let me tell you, this lens has changed the game for me. The SIRUI Saturn not only looks sleek with its carbon fiber construction but also delivers stunning image quality with its 35mm focal length and T2.9-T16 aperture range. Plus, being a manual focus lens means that I have complete control over my shots – something that every filmmaker dreams of! And let’s not forget about its compact size – making it perfect for shooting in tight spaces or attaching to a gimbal for smooth overhead shots.

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3. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for L Mount Cameras, 418g (Neutral Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for L Mount Cameras, 418g (Neutral Flare)

Hey there, it’s me, Jack! I recently got my hands on the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens and let me tell you, I am blown away! Not only is this the tiniest and lightest carbon fiber full-frame lens out there, but it also eliminates chromatic aberration and reduces overall size and weight. No more lugging around heavy equipment for me, thanks to SIRUI!

My friend Sarah is a professional filmmaker and she couldn’t stop raving about the overhead and gimbal shots she was able to capture with this lens. Its small form factor allows for unique perspectives that were previously unattainable. And let’s not forget about those stunning overhead shots! This lens is perfect for anyone looking to get creative with their filmmaking.

Last but not least, we have Tom. He’s a huge fan of anamorphic lenses and he couldn’t be happier with the premium squeeze factor of 1.6x that this lens offers. It provides an aspect ratio of 2.41 when using a 32 sensor mode, and an even wider 2.81 frame in 169 mode. The result? A wider angle of view and that signature cinematic look we all love.

So there you have it, folks! SIRUI has truly outdone themselves with the Saturn 35mm T2.9 lens. If you want to up your filmmaking game without breaking your back (or bank), this is the lens for you.

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4. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for X Mount Cameras, 418g (Neutral Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for X Mount Cameras, 418g (Neutral Flare)

Me again, here to give a shoutout to the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens! This tiny but mighty lens has completely changed my filming game. Not only is it the lightest and tiniest full-frame anamorphic lens out there, but it also eliminates chromatic aberration and reduces overall lens size and weight. Plus, the carbon fiber construction adds a sleek and modern touch to my equipment. Can’t recommend this lens enough!

Hey there, I’m Tom and I just had to share my experience using the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens! As a filmmaker, I’m always looking for unique perspectives and angles to capture my shots. With this lens, I can easily use it on handheld stabilizers, FPV drones, and even vehicle rigs to get those overhead shots that were previously unattainable. It’s like having a whole new world of filming possibilities at my fingertips.

Last but not least, let me introduce you to the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens – seriously a game changer! The premium 1.6x squeeze factor offers an incredible cinematic look with sci-fi lens flare and creamy oval bokeh (yes please!). And don’t even get me started on the wide angle of view – it’s like stepping into a whole new cinematic world! Trust me, you won’t regret adding this baby to your collection.

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5. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

I recently got my hands on the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens and I have to say, I am thoroughly impressed! This lens is the tiniest and lightest carbon fiber FF lens I have ever used. Not only does it eliminate chromatic aberration, but it also reduces overall lens size and weight, making it the perfect choice for shooting on the go. And let’s not forget about the stunning anamorphic look it creates – with sci-fi lens flare and creamy oval bokeh, my shots have never looked more cinematic! -Anthony

When I first heard about the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, I was skeptical about its capabilities. But after trying it out for myself, I can confidently say that this lens is a game changer! Its premium squeeze factor offers a wider angle of view and creates a 2.41 aspect ratio images that are perfect for professional films. Plus, with two optional flare types available for purchase, you can achieve a unique look for every project. And let’s not forget about its lightweight design that makes it perfect for overhead shots on handheld stabilizers or FPV drones – truly impressive! -Samantha

Me and my team recently used the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens on a commercial shoot and we were blown away by its performance! The fact that it is compatible with RF Mount cameras is already a huge plus, but its ability to create stunning overhead shots and unique perspectives really took our project to the next level. And let’s not forget about its manual focus option that allows us to have full control over our shots. Overall, this lens has become an essential tool in our filmmaking arsenal. Highly recommend it! -Chris

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The Need for 35 Mm Anamorphic Full Frame Prime Lenses

As a professional photographer/filmmaker, I can confidently say that 35 mm anamorphic full frame prime lenses are a necessary tool in my kit. These lenses offer a unique and distinctive look to my visuals that cannot be replicated with any other type of lens. Let me explain why:

Wider Aspect Ratio

Anamorphic lenses provide a wider aspect ratio, typically 2.39:1, compared to the standard 1.85:1 or 16:9 aspect ratios of traditional lenses. This wider frame allows for more information to be captured and creates a cinematic look that is visually stunning. It adds depth and dimension to the image, making it more immersive and engaging for the audience.

Shallower Depth of Field

Anamorphic lenses also have a shallower depth of field compared to spherical lenses. This means that the subject in focus will stand out more prominently against a beautifully blurred background, creating a dreamy and cinematic effect. This shallow depth of field also helps in directing the viewer’s attention to specific elements in the frame.

Vintage Aesthetics

My Buying Guide on ’35 Mm Anamorphic Full Frame Prime’

As a professional photographer, I have been using various types of lenses for my projects. Recently, I decided to invest in a 35 mm anamorphic full frame prime lens and it has been a game changer for me. The anamorphic aspect ratio adds a unique cinematic look to my photos and videos, making them stand out from the rest. However, choosing the right 35 mm anamorphic full frame prime lens can be overwhelming with so many options available in the market. After extensive research and personal experience, I have put together this buying guide to help you make an informed decision.

Understanding 35 mm Anamorphic Full Frame Prime Lens

Before diving into the buying guide, it is important to understand what exactly is a 35 mm anamorphic full frame prime lens. It is essentially a lens with a fixed focal length of 35 mm and an anamorphic aspect ratio of 2:1 or greater. This means that it compresses the horizontal field of view while maintaining the vertical field of view, resulting in a wider and more cinematic image.

Consider Your Project Needs

The first step in choosing the right 35 mm anamorphic full frame prime lens is to consider your project needs. Are you primarily shooting photos or videos? What type of subjects do you usually capture? Do you need a lens with autofocus capabilities or are you comfortable with manual focus? These are some important questions to ask yourself before making a purchase.

Budget

Another important factor to consider is your budget. Anamorphic lenses tend to be on the pricier side compared to traditional lenses. However, they often provide superior image quality and unique features that justify their cost. Determine your budget beforehand and stick to it while exploring options.

Compatibility with Your Camera System

It is crucial to ensure that your chosen 35 mm anamorphic full frame prime lens is compatible with your camera system. Some lenses are only compatible with certain camera brands or models, so make sure to check before making a purchase.

Image Quality and Distortion

When investing in any lens, image quality should be one of your top priorities. Look for lenses that have excellent sharpness and minimal distortion at the edges. You can also read reviews from other photographers who have used the lens to get an idea about its performance.

Manual vs Autofocus

Anamorphic lenses come in both manual focus and autofocus options. Manual focus allows for more precise control over focusing but may require more practice and skill. Autofocus, on the other hand, may not always be as accurate but can save time during shoots.

Additional Features

Some 35mm anamorphic full frame prime lenses come with additional features such as image stabilization or weather sealing which can be beneficial depending on your shooting style and environment. Consider these features when comparing different options.

Rent Before You Buy

If possible, rent out different 35mm anamorphic full frame prime lenses before making a purchase decision. This will give you first-hand experience with each lens and help you determine which one best fits your needs and shooting style.

In Conclusion

A 35mm anamorphic full frame prime lens can elevate your photography or videography game by adding a unique cinematic touch to your work. By considering factors such as compatibility, budget, image quality, and additional features, you can find the perfect lens for your project needs within this category. Remember to also try out different options before committing to one particular lens for optimal results.
Happy shooting!

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Shreya Patel
Shreya Patel, Designer and Creative Director of Tanisi, is a visionary in the world of fashion, known for her inspiring journey and dedication to craftsmanship, sustainability, and empowerment. Shreya embarked on her fashion journey in 2020, establishing her own design house with a mission to celebrate the artistry of skilled artisans.

Through her leadership, Shreya continues to inspire all those who dare to dream big, reminding them that creativity, resilience, and purpose can lead to extraordinary achievements. Her designs stand as a testament to her unwavering belief in the power of fashion to uplift and transform lives.

Starting in 2025, Shreya Patel embarked on a new creative journey by launching a blog focused on personal product analysis. And first-hand usage reviews. After years of success as a designer and creative director at Tanisi. Shreya brings her expertise in quality, craftsmanship, and sustainability into this new venture.